I’d like to say that’s it’s been a long time coming, but I do still feel the pull of it – music. Making music. Writing my own music. Thing is, thought, I can objectively say that I was never really good at it compared to the two other passions I have (writing and photography.) It’s been a long time coming, but it’s time to finally give up on the dream of being a musician.
I’ve lived as a musician enough in previous years. I wasn’t playing festivals or secret shows, nor was I playing huge stages and crowds of upwards of a hundred, but I’ve lived that dream enough. To want more would be selfish, and would make me lose focus on what I aim to do in the present.
This is a farewell to a life once lived to the fullest.
One of my dreams in life is to be have an article I wrote be published on a major national website. It finally happened.
On February 19, 2016, I covered the Dama 3D Danao Dancel Dumas Anniversary Concert for When In Manila.
Here’s what went down:
It all started with three guys and their acoustic guitars banding together to pool their collective stories into one epic tale. Like the bards of old who wove their experiences and anguish into works of art, Johnoy Danao, Ebe Dancel, and Bullet Dumas has done the same in modern times. And it is all for the love of their craft. Pure unadulterated love. Of all the instruments made by man, there’s no instrument more primal and simpler than the acoustic guitar. In its own, it’s a tool to deliver the user’s emotional quandaries. Married with the unmistakable voices and exceptional lyrics of Danao, Dancel, and Dumas, it becomes magic. It becomes an experience.
You can read (and view the photos) here:
I’ve mentioned before that my musical inclinations have, in recent years, leaned towards the stripped down, bare bones side of things. That simplicity and unfussiness of music has appealed to me due to, well, I wouldn’t say my age, but due to my bias for introspection and quiet. Simply put, I prefer acoustic singer-songwriter music on most days.
That’s why I’m a huge follower of the artists in the “3D: Danao Dancel Dumas” collective. Individually, the trio – Johnoy Danao, Ebe Dancel, and Bullet Dumas – does not need an introduction. All three have made names for themselves in local music history. All three have been success stories in OPM. All three are influential to the current and upcoming crop of guitar-wielding, whiskey swigging, lovelorn troubadours. And as a collective, as “3D,” the supergroup has definitely made an impact.
Continue reading “Dama = Feel”
This is bad. This is really bad.
I had no intention of doing anything else other than the one on my calendar. I only had one agenda yesterday: to have coffee with Bel Certeza. Money is pretty tight. Refer to the previous post as to the reason for my economic woes. But an hour or so before I left the house, I contacted a friend of mine from college. Her boyfriend’s band, Brisom, was going to play at Saguijo. I asked her if I can be added on the band’s guestlist.
Now, I’m not a cheapskate. I know how important door charge is to the bands that play a venue. If I have extra cash, I’d pay the door charge. But I do not. I told Marsha, the aforementioned college friend, that I’d take photos of Brisom in return. I didn’t get to. No, that’s not why things are bad. I’m getting ahead of myself. Let me start at the beginning.
Continue reading “Fire In The Hole”
I’ll say it right off the bat: prior to seeing the A Space’s e-poster for the Faces of The Century photo exhibit, I didn’t know who Luc Fournol was. But I wanted to go anyway because A. I’m a Alfred Hitchcock fan and one of his portraits was the photo used on the e-poster, and B. I felt like I should go to exhibits, being a photographer and all.
With that said, I missed the first time Luc Fournol’s photos, part of a private collection by Cyril Clement, were shown to the public back in November. It was APEC week and the main artery leading to Makati was closed. Thankfully, A Space did another round. I wasn’t gonna miss it this time.
Continue reading “Faces of The Century”